Collage Defunctorum

Collage Defunctorum - 2017 - 47cm x 50cm

 

Don't give me that fodder

Because the story is the same

That New World Order is just a New Word Order

Jazzmin Tutum - New World Order

Share The Flame

True Hermetic Transmutation

 

The Universal Laws are written in 

The KYBALION (posted 30/09/2015)

 

Following video-essay focused my attention to an old entry in the archives of Scriptum Defunctorum and kindled the fire to further awaken from hibernation - Nothing Rests.  

A video essay about fundamental Truth and how the application of Law comes into practice: how the mind can bend an shape reality in accordance to Law and how to come into alignment with the Laws that govern the Universe.

 

 

YouTube-channel: Library of Thoth 

Scriptum pro Solitudo

 

eenzaam <bn.;~heid> 0.1 zonder gezelschap of ver van anderen verwijderd 0.2 verlaten

solitair¹ <de ~(m.);~en> 0.1 <biol.> 

 

eenzaam levend dier van een soort die in het algemeen kolonies vormt 

 

0.2 eenling  

0.3 afzonderlijk gezette diamant

Photo: Courtesy of Sotheby's

solitair² <bn.> 0.1 alleen levend 

©Copyright 1988, 1996 Van Dale Lexicografie bv Utrecht/Antwerpen

 

 

 

een·zaam (bijvoeglijk naamwoord, bijwoord; vergrotende trap: eenzamer, overtreffende trap: eenzaamst) 

1. zonder gezelschap; = alleen: zonder zijn familie voelde hij zich eenzaam 
2. stil: een eenzame weg; op eenzame hoogte staan zoveel beter zijn dan de anderen dat je geen concurrentie hebt

solitude (n.)

"state of being alone, remoteness from society," mid-14c., from Old French solitude "loneliness" (14c.) and directly from Latin solitudinem (nominative solitudo) "loneliness, a being alone; lonely place, desert, wilderness," from solus "alone" (see sole (adj.)). "Not in common use in English until the 17th c." [OED]

A man can be himself only so long as he is alone; ... if he does not love solitude, he will not love freedom; for it is only when he is alone that he is really free. [Schopenhauer, "The World as Will and Idea," 1818] 

solitude nom féminin 

xii^e siècle. Emprunté du latin solitudo, de même sens, lui-même dérivé de solus, « seul, unique »

1. État d’une personne qui, de façon choisie ou non, se trouve seule, sans compagnie, momentanément ou durablement. Se complaire dans la solitude. Souffrir de la solitude. L’anachorète choisit de se retirer dans la solitude. Vivre dans la plus profonde solitude. Par métonymie. Il peuplait sa solitude de mille rêveries.

▪ Par extension. Situation d’un individu qui se sent différent, à l’écart de ses semblables, éloigné de leurs préoccupations. La solitude du poète selon Baudelaire.

 

 

 

Be Drunk

Johnny van Doorn alias Johnny de Selfkicker reads Baudelaire - Le spleen de Paris translated to dutch
(source Iprovo)


Men moet altijd dronken zijn.
Zo is het.
Dat is het enige waarom het gaat.
Om niet de vreselijke last van de tijd te voelen
die uw schouders breekt en u buigt naar de aarde
moet u aan één stuk dronken zijn

Maar hoe?!

Van wijn, poëzie, hasjiesj of deugd, het staat u vrij.
Maar dronken moet u zijn.


En als u dan soms wakker wordt
op de treden van het paleis,
op het groene gras bij een sloot,
in de sombere eenzaamheid van uw kamer,
en u merkt dat uw roes al verminderd of verdwenen is,
vraag dan aan de wind,
aan de zee,
aan de sterren,
aan de vogels,
aan de tijd,
aan alles wat voorbij gaat,
aan alles wat zucht,
aan alles wat beweegt,
aan alles wat zingt,
aan alles wat spreekt,
vraag dan, hoe laat het is!


En de wind,
de zee,
de sterren,
de tijd,
de vogels,
//zullen u antwoorden://
"Het is tijd om dronken te worden"
Als u geen slaaf wilt zijn, gekweld door de tijd,

wees dan dronken zonder ophouden,
van wijn, poëzie, hasjiesj of deugd.

Het staat u vrij!

Le buveur - Toulouse-Lautrec - 1882

Enivrez-vous

    Il faut être toujours ivre. Tout est là : c'est l'unique question. Pour ne pas sentir l'horrible fardeau du Temps qui brise vos épaules et vous penche vers la terre, il faut vous enivrer sans trêve. 

    Mais de quoi ? De vin, de poésie ou de vertu, à votre guise. Mais enivrez-vous. 

    Et si quelquefois, sur les marches d'un palais, sur l'herbe verte d'un fossé, dans la solitude morne de votre chambre, vous vous réveillez, l'ivresse déjà diminuée ou disparue, demandez au vent, à la vague, à l'étoile, à l'oiseau, à l'horloge, à tout ce qui fuit, à tout ce qui gémit, à tout ce qui roule, à tout ce qui chante, à tout ce qui parle, demandez quelle heure il est ; et le vent, la vague, l'étoile, l'oiseau, l'horloge, vous répondront : « Il est l'heure de s'enivrer ! Pour n'être pas les esclaves martyrisés du Temps, enivrez-vous sans cesse ! De vin, de poésie ou de vertu, à votre guise. » 


Charles Baudelaire - Le Spleen de Paris, XXXIII

for English press this!

Miltzucht

Danse Macabre ~ Camille Saint-Saens

Decadentisme, ook wel décadence of decadentie genaamd, is een geestelijke stroming die in het laatste kwart van de negentiende eeuw vooral onder de ontwikkelden in West-Europa aanhang vond. Karakteristiek is de teleurstelling over de teloorgang van zekerheden, van verlies van duidelijkheid over de na te streven toekomst, maar ook van weerzin tegenover de blinde geldzucht van de burgerlijke maatschappij en het geloof dat de wetenschap en industrie alle problemen zullen oplossen. Kunst is een vrijplaats van die banale wereld. Uiterste schoonheid en zuiverheid moeten worden nagestreefd.
Een programma of duidelijke uitgangspunten had deze in hoge mate uit zich bewust isolerende individuen bestaande stroming niet. Zij kenmerkt zich door negativiteit, Weltschmerz, 'spleen', het woord dat Baudelaire hiervoor introduceerde, existentiële verveling (ennui), vermoeidheid, stuurloosheid, maar ook een provocatief zoeken naar schoonheid als enige uitweg uit de banale burgerlijkheid.

Danse macabre

A Ernest Christophe

Fière, autant qu'un vivant, de sa noble stature,
Avec son gros bouquet, son mouchoir et ses gants,
Elle a la nonchalance et la désinvolture
D'une coquette maigre aux airs extravagants.

Vit-on jamais au bal une taille plus mince?
Sa robe exagérée, en sa royale ampleur,
S'écroule abondamment sur un pied sec que pince
Un soulier pomponné, joli comme une fleur.

La ruche qui se joue au bord des clavicules,
Comme un ruisseau lascif qui se frotte au rocher,
Défend pudiquement des lazzi ridicules
Les funèbres appas qu'elle tient à cacher.

Ses yeux profonds sont faits de vide et de ténèbres,
Et son crâne, de fleurs artistement coiffé,
Oscille mollement sur ses frêles vertèbres.
Ô charme d'un néant follement attifé.

Aucuns t'appelleront une caricature,
Qui ne comprennent pas, amants ivres de chair,
L'élégance sans nom de l'humaine armature.
Tu réponds, grand squelette, à mon goût le plus cher!

Viens-tu troubler, avec ta puissante grimace,
La fête de la Vie ? ou quelque vieux désir,
Éperonnant encor ta vivante carcasse,
Te pousse-t-il, crédule, au sabbat du Plaisir?

Au chant des violons, aux flammes des bougies,
Espères-tu chasser ton cauchemar moqueur,
Et viens-tu demander au torrent des orgies
De rafraîchir l'enfer allumé dans ton coeur?

Inépuisable puits de sottise et de fautes!
De l'antique douleur éternel alambic!
A travers le treillis recourbé de tes côtes
Je vois, errant encor, l'insatiable aspic.

Pour dire vrai, je crains que ta coquetterie
Ne trouve pas un prix digne de ses efforts;
Qui, de ces coeurs mortels, entend la raillerie?
Les charmes de l'horreur n'enivrent que les forts!

Le gouffre de tes yeux, plein d'horribles pensées,
Exhale le vertige, et les danseurs prudents
Ne contempleront pas sans d'amères nausées
Le sourire éternel de tes trente-deux dents.

Pourtant, qui n'a serré dans ses bras un squelette,
Et qui ne s'est nourri des choses du tombeau?
Qu'importe le parfum, l'habit ou la toilette?
Qui fait le dégoûté montre qu'il se croit beau.

Bayadère sans nez, irrésistible gouge,
Dis donc à ces danseurs qui font les offusqués:
"Fiers mignons, malgré l'art des poudres et du rouge,
Vous sentez tous la mort ! Ô squelettes musqués,

Antinoüs flétris, dandys, à face glabre,
Cadavres vernissés, lovelaces chenus,
Le branle universel de la danse macabre
Vous entraîne en des lieux qui ne sont pas connus!

Des quais froids de la Seine aux bords brûlants du Gange,
Le troupeau mortel saute et se pâme, sans voir
Dans un trou du plafond la trompette de l'Ange
Sinistrement béante ainsi qu'un tromblon noir.

En tout climat, sous tout soleil, la Mort t'admire
En tes contorsions, risible Humanité,
Et souvent, comme toi, se parfumant de myrrhe,
Mêle son ironie à ton insanité!"


Charles Baudelaire
(1821-1867)

Tussen Hemel en Hel

De Tritonus

De Duivelskwart

diabolus in musica

De Duivel is in de details

De Tritonus is verduiveld moeilijk

Maar desondanks wel gebruikt en nooit verboden

Het vraagt echter vergevorderde Kennis om een muziekstuk te schrijven op basis van de Tritonus

The Middle Age a Glorieus Mistake

A dark Age

is better then Bright Lights
Liquid Cristal on Display
Cash and Carry
Dealer near you

a Flemisch Primitive
in it's Form:
the exploration of Dimensions
and Perspective

Hieronymus~Jeroen Bosch - Dulle Griet

Schrik van Rondom

DIS

Distract

Disturb

Discord

Distress

Distance

Dissolve

Discriminate

dis- 

1. "lack of, not" (as in dishonest);  

2. "do the opposite of" (as in disallow);  

3. "apart, away" (as in discard),

tele-vision

tele- meaning "far, far off, operating over distance"

vision c. 1300, "something seen in the imagination or in the supernatural,"

fear (v.) Old English færan "to terrify, frighten," from a Proto-Germanic verbal form of the root of fear (n.). Cognates: Old Saxon faron "to lie in wait," Middle Dutch vaeren "to fear," Old High German faren "to plot against," Old Norse færa "to taunt."
fear (n.)  Middle English fere, from Old English fær "calamity, sudden danger, peril, sudden attack," from Proto-Germanic *feraz "danger" (source also of Old Saxon far "ambush," Old Norse far "harm, distress, deception," Dutch gevaar, German Gefahr "danger")

Panopticism

"We have heard the news about it, and our hands are limp. 
Distress has seized us like a woman in labor.

Don’t go out into the field, and don’t travel on the road, 
because the enemy has a sword, and terror is on every side." 

 Jer 6:24-25

European Commission

Connectivity for a Competitive Digital Single Market - Towards a European Gigabit Society
Digital Single Market

Final Opinion on EMF

Departement Omgeving van de Vlaamse Overheid - Elektrogevoeligheid  "Een algemeen aanvaarde behandelingsmethode bestaat nog niet. In de praktijk blijkt dat cognitieve gedragstherapie het beste resultaat oplevert. Het verminderen van de blootstelling aan straling kan de klachten niet verhelpen."

Flemish government on electrosensitivity: An accepted treatement does not yet exist.  Practice learns that cognitive behavioral therapy has the best results.  The reduction of exposure to radiation cannot alleviate the individual's complaints.

Adulterating Substance

zie ook ik ben wie ik moet zijn, dankzij hulp en medicatie 

"If we could sniff or swallow something that would, for five or six hours each day, abolish our solitude as individuals, atone us with our fellows in a glowing exaltation of affection and make life in all its aspects seem not only worth living, but divinely beautiful and significant, and if this heavenly, world-transfiguring drug were of such a kind that we could wake up next morning with a clear head and an undamaged constitution-then, it seems to me, all our problems (and not merely the one small problem of discovering a novel pleasure) would be wholly solved and earth would become paradise." - A. Huxley

Drugs to take down the nation - Jon Rappoport

The call to arms was never true,
I'm medicated..how are you?
Let's take a dive swim right through,
Sophisticated point of view.

sophistication (n.) 

early 15c., "use of sophistry; fallacious argument intended to mislead; adulteration; an adulterated or adulterating substance," from Medieval Latin sophisticationem (nominative sophisticatio), noun of action from past participle stem of sophisticare "adulterate, cheat quibble," from Latin sophisticus "of sophists," from Greek sophistikos "of or pertaining to a sophist,"

 

medicate (v.)

"to treat medicinally," 1620s, a back-formation from medication, or else from Late Latin medicatus, past participle of medicare. Related: Medicated; medicating. The earlier verb in English was simply medicin (late 14c.).

I'm medicated... how are you?

To cope with the madness and destruction of the world I am prescribed mind-altering drugs.  In this broken artificial world, it makes me less affected by it. Participating in the experiments of psychiatry, at the frontier of finding the heavenly, world-transfiguring drug.   Ofcourse the discour is to see the patient as ill, maladjusted, strange, alienated.  A person to be cared for, burdened by and a burden to society.

 

However, something is tremendously wrong with the construction of the human condition, considering the staggering amounts of psychotropic pills that cross the counter, and the profits made by the sales of it.  Sustaining an artificial coping and providing a temporary escape from the trauma human beings are all suffering from.  When the veil falls,  the full awareness of the daily atrocities of this open prison overwhelms and paralyzes the person, subjected to the horror which is burned on the inner eye.   Is it a cure to keep human beings in a quasi-state of being, a numbing dull existance and extended suffering?  Is it the individual that is to be considered ill, insane?  Is it the new normal to pop a pill from the craddle to the grave to adjust to the unadjustable?

In this way this is truely sophistication intended to mislead, to maintain the status quo of a corrupted, sick society and diagnosing the individual human being as being ill due to a chemical imbalance in the brain.

 

As a sleeper in metropolis

You are insignificance

Dreams become entangled in the system

Environment moves over the sleeper:
Conditioned air
Conditions sedated breathing
The sensation of viscose sheets on naked flesh
Soft and warm
But lonesome in the blackened ocean of night

Confined in the helpless safety of desires and dreams
We fight our insignificance
The harder we fight
The higher the wall

Outside the cancerous city spreads
Like an illness
It's symptoms

In cars that cruise to inevitable destinations
Tailed by the silent spotlights
Of society created paranoia

No alternative could grow
Where love cannot take root
No shadows will replace
The warmth of your contact

Love is dead in metropolis
All contact through glove or partition
What a waste
The City -
A wasting disease

Sleeper In Metropolis

Anne Clark

Age of Reason

Georgia Guidestones

The Georgia Guidestones, erected on March 22, 1980, are constructed in granite monolithic plates and present on the explanatory tablet "Let these be guidelines for the Age of Reason".  The structure, besides the written texts in 8 modern day languages and shortenened inscriptions in classical languages, an astromic clock and compass.  In 2014 the monument was officially expanded with a cornerstone on the top marked with 2014.  The stone was removed revealing more markings MM 16 8 JAM.

The monument guidelines are beautifully written in eloquent language and at first glance it seems a to hold a beautiful set of guidelines, sadly these words are written for a post-apocalyptic society.  The anonymous commisioners of the guidestones, are the Elite who are advancing to effectuate the plans to get us in the Golden Age of Reason.  The global events taking place now are moves on the chessboard of the rulers who are burdened with the task to tilt humanity over the brink and decimate the global population and to lead humanity in the Transhumanist Era. 

Maintain humanity under 500,000,000

In perpetual balance with nature

Guide reproduction wisely —

improving fitness and diversity

Unite humanity with a living

New language

Rule passion — faith — tradition

And all things

With tempered reason

Protect people and nations

With fair laws and just courts

Let all nations rule internally

Resolving external disputes

In a world court

Avoid petty laws and useless

officials

Balance personal rights with

Social duties.

Prize truth - beauty - love-

Seeking harmony with the

Infinite

Be not a cancer on the earth 

-Leave room for nature -

 Leave room for nature

Darkness was on the face of the deep

The Deep - De Diepte

De diepte peilen
to fathom the depth

Duisternis was op het aangezicht van de diepte

Het is een levende Mater-ie

Het Vrouwelijke - Het Duistere - Het Verborgene

De Schoot waarvoor we ons Schamen

Oer Sprong

De Grot waarin we ons bevinden de Bellum De Schede
de Schedelplaats Knekelplaats Begraafplaats

Van As tot As
De Wereld tolt door
om en rond haar het Universom

1 2 en 3 de hogere gedachten
4 5 en 6 de vervolmaking en revisie
7 8 en 9 de uitwerking en absolutie


3 richtingen
Diepte
Breedte
Lengte

4 de elementen van het Geloof
De 4 Evangelisten
De 4 Dieren
De 12 van de Dierenriem de Zodiac
De 13 met de ZON

5 zintuigen Tast Smaak Zien Horen Ruiken

6 de Eengemaakte Hermafrodiet
Het evenwaardige van de 2 seksen

Het Scheiden van het Zelf 7
Tot het Oneindige 8

En het inzichzelf kerende 9

Tot het AL

0

I Arise From Dreams Of Thee - Poem by Percy Bysshe Shelley

I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright
I arise from dreams of thee,
And a spirit in my feet
Has led me - who knows how? -
To thy chamber-window, sweet!

The wandering airs they faint
On the dark, the silent stream, -
The champak odors fall
Like sweet thoughts in a dream,
The nightingale's complaint,
It dies upon her heart,
As I must die on thine,
O, beloved as thou art!

O, lift me from the grass!
I die, I faint, I fall!
Let thy love in kisses rain
On my lips and eyelids pale,
My cheek is cold and white, alas!
My Heart beats loud and fast
Oh! press it close to thine again,
Where it will break at last!


 [nvdr. found on poemhunter.com c&p]

Over Namen en Brussel en mayonaise

http://deredactie.be/cm/vrtnieuws/buitenland/2.41887?eid=1.2508358

Ratio through Matter

The whole mathematics system is thought up, on what?
The language of what is knowable is the language of Ratio.

What is Ratio (source: wikipedia)?

In mathematics, a ratio is a relationship between two numbers indicating how many times the first number contains the second.  For example, if a bowl of fruit contains eight oranges and six lemons, then the ratio of oranges to lemons is eight to six (that is, 8:6, which is equivalent to the ratio 4:3). Thus, a ratio can be a fraction as opposed to a whole number. Also, in this example the ratio of lemons to oranges is 6:8 (or 3:4), and the ratio of oranges to the total amount of fruit is 8:14 (or 4:7).

The numbers compared in a ratio can be any quantities of a comparable kind, such as objects, persons, lengths, or spoonfuls. A ratio is written "a to b" or a:b, or sometimes expressed arithmetically as a quotient of the two. When the two quantities have the same units, as is often the case, their ratio is a dimensionless number. A rate is a quotient of variables having different units. But in many applications, the word ratio is often used instead for this more general notion as well.

A rate is the ratio between two related quantities. Often it is a rate of change. If the unit or quantity in respect of which something is changing is not specified, usually the rate is per unit time. However, a rate of change can be specified per unit time, or per unit of length or mass or another quantity. The most common type of rate is "per unit time", such as speed, heart rate and flux. Ratios that have a non-time denominator include exchange rates, literacy rates and electric flux.

In describing the units of a rate, the word "per" is used to separate the units of the two measurements used to calculate the rate (for example a heart rate is expressed "beats per minute"). A rate defined using two numbers of the same units (such as tax rates) or counts (such as literacy rate) will result in a dimensionless quantity, which can be expressed as a percentage (for example, the global literacy rate in 1998 was 80%) or fraction or as a multiple.

Often rate is a synonym of rhythm or frequency, a count per second (i.e., Hertz); e.g., radio frequencies or heart rate or sample rate.

We will not be talking of lemons and oranges, but Music.

Music = Ratio = Spirit

The Void Thought Sound

What we call and recognise as Music is a distilled representation of Beauty in Harmony and Unity.  It is an expression of the Soul in Matter.

It is recognised as music and not sound because it is organised and formed according to it's historical Growth, it is organised Unified Motion.  A temporal fleeting construction of Sound.  It is an expression.  It engenders Motion through vibrational frequency expressed in rhythm, pitch and volume.  It is a temporal apparition and a collective experience of Spirit.

Ratio in Music is Motion, a Movement which captivates the Spirit.

Prime .................. 1:1
Secunde .. 9:8
Terts .............. 5:4
Quart ................ 4:3
Quint................... 3:2
Sext ...... 5:3
Septime ..15:8
Octave ................. 1:2

The foundation of Mathematics appear.  1 2 and 3 have there Rational Basis in Vibration.  How vibration relates to vibration.

The Prime relates to itself and engenders with the Octave which comprises the seven and is the eight, the first naturale overtone.  The musical construction of harmony is to create tension and release in the vibrational frequency.

To create Music, the basic of the whole must be in Tune.   The instruments must be in the same pitch otherwise dissonance appears.  The tuning of the instruments is an agreement known as the Concert Pitch. 

The only pitch where the whole is sequence of Ratio has integer numbers is A=432 or C=512

Prime ......... 1:1   - 432hz
Secunde ....... 9:8   - 486hz
Terts ......... 5:4   - 540hz
Quart ......... 4:3   - 576hz
Quint.......... 3:2   - 648hz
Sext .......... 5:3   - 720hz
Septime ...... 15:8   - 810hz
Octave ........ 1:2   - 864hz


The note sequence is the construction of musical harmony in the Diatonic Scale, which has it's origin in History.

The diatonic scale is the combination of two Tetrachords starting with C - do

c - d - e - f  / g - a - b - c

The sequence of the scale is based on two chords, cords, accord, accorder (to agree)

c - e - g - b

d - f - a - c'

The Ratio appears as an organisation of Sound

It has a basis in Matter, it is the Heart of Matter

The Ratio in Matter

the Movement of Spirit through Matter 

SHEI MASA FUM DEMA

Manifest of the Spirit

The Void Thought Sound

123

Dichter (Poet) - Dychotomy (Reason)


Tree-Treason

Drie-Bedriegen

Light - Lied - EnLied enment
Licht - Oplichten - Verlichten

Human - Lumen
Life - Lies
French Fries

Lucid Luci Fer
Alumni

Iron clad
Chackeled
Imprismed Light

 Light vs. Dark

Dychotomic Deception

Darkness is on the face of the deep

Everything is Tree from seed to fruit
Thought up is Three as Truce to be
The deception of the light
A false shadow appeared which veiled the percepetion of the Tree

We are the Guardener of the Tree
decieved by the Keepers of to Bee
to produce some Honey
in a Bittersweet Symphony
Intoxicating Illusion
Forced Perspective of Reality


1 being
2 mind
3 all the rest: subject to decay

Void

Thought

Sound

The Song of Life = Pure Poetry

lied zn. ‘gezongen gedicht’
Mnl. lijt ‘gezongen gedicht’ [1240; Bern.], int liet ‘in het lied’ [1260-80; CG II].
Os. lioth; ohd. liod (nhd. Lied); oe. lēoþ; on. ljóð (nno. ljod); got. *-liuþ in awiliuþ ‘dankbetuiging’; < pgm. *leuþa- ‘lied, lofzang’. Hierbij ook het werkwoord *leuþōn- ‘zingen, lofzingen’, waaruit: ohd. liudōn; oe. lēoðian; on. ljóða; got. liuþōn.

sing (v.)Old English singan "to chant, sing, celebrate, or tell in song," also used of birds (class III strong verb; past tense sang, past participle sungen), from Proto-Germanic *sengwan (cognates: Old Saxon singan, Old Frisian sionga, Middle Dutch singhen, Dutch zingen, Old High German singan, German singen, Gothic siggwan, Old Norse syngva, Swedish sjunga), from PIE root *sengwh- "to sing, make an incantation."

Void
Thought
Sound

Rhythm
Pitch
Volume


Proton
Neutron
Electron

Curve
Line
Angle

current
resistance
flow

It might seem a Big Bang, but only to those who don't care to listen, an awful racket for those who are not in Tune and don't comprehend the Beauty of this delicate composition.  Who have ears but don't hear, who have eyes but clearly don't see.  They only percieve as they learned, how the are ought and thought to see in accepted servitude, through mimicry.

The elegance of the Tree vs. The corruption of Three

The dychotomic state in which men percieve what is, a Being Detachted with an Objective doesn't hear the subtle Tune which weaves through and forth the Entirety.

Imposed lies don't change the Tree

Three <> Tree

I sit beside the fire and think of all that I have seen,
of meadow-flowers and butterflies in summers that have been;
Of yellow leaves and gossamer in autumns that there were,
with morning mist and silver sun and wind upon my hair.
I sit beside the fire and think of how the world will be
when winter comes without a spring that I shall ever see.

For still there are so many things that I have never seen:
in every wood in every spring there is a different green.
I sit beside the fire and think of people long ago,
and people who will see a world that I shall never know.
But all the while I sit and think of times there were before,
I listen for returning feet and voices at the door.

~J.R.R.Tolkien

And so it's there my homage's due
Clutched by the still of the night
And now I feel you move
Every breath is full
So it's there my homage's due
Clutched by the still of the night
Even the distance feels so near
All for the love of you.

Al meer dan voldoende

Drie is en blijft
gegrond.
Ik en Jij -
soms wij als jij en ik.

Jij en ik,
al meer dan voldoende
In jou heb ik al het meer

Eenzelf in Tweespraak
onbewust
de diepte in

Divide and Conquer

Zie ook:  Van 1 2 en 3
Reprise
All mathematica can be brought down to 1 2 and 3. The smallest thoughtform is the triangle.

Dychotomy the partition of the whole into parts

1 is mathematic in potentia, or in dunamis in the language of Aristotle.  

It bears all the potentiality of mathematics as a tree is present in the seed.

The concept of 1 is thought up, it is invented, it is man-made, it is creative energy. It is a cognitive representation, it is not an sich.  It has no material ground.

Potentia is a translation of δύναμις, but the words in itself have another root, charge and value.  So even at the potens, the source of the philosophical and symbolical meaning there is a different appreciation of what is to be thought of 1

potentia ae, f
potens, might, force, power : armorum tenendorum, L.: solis Acrior, V.: morbi, O.: occulti miranda fati, Iu.: Nate, mea magna potentia solus, i. e. source of my power , V.— Efficacy, virtue : herbarum, O.—Fig., political power, authority, sway, influence, eminence : Pompei formidulosa, S.: summae potentiae adulescens, Cs.: erant in magnā potentiā, in great authority : singularis, monarchical , N.: rerum, sovereignty , O.: contra periculosas hominum potentias.

δύναμις from δύναμαι
I.power, might, strength, Hom.: then, generally, strength, power, ability to do a thing, id=Hom.; παρὰ δύναμιν beyond one's strength, Thuc.; ὑπὲρ δ. Dem.; κατὰ δ. as far as lies in one, Lat. pro virili, Hdt.
2.power, might, authority, Aesch., etc.
3.a force for war, forces, Xen.
4.a quantity, Lat. vis, χρημάτων δ. Hdt., etc.
II.a power, faculty, capacity, αἱ τοῦ σώματος δυνάμεις Plat., etc.; also of plants, etc.,
III.the force or meaning of a word, Plat., etc.
2.the worth or value of money, Thuc.

All science is in actuality, a human endevour as to concieve the world and to gain understanding of the universe.  So as all things in life which are thought up, so is science thought up.

Actuality is often used to translate both energeia (ενέργεια) and entelecheia (ἐντελέχεια) (sometimes rendered in English as "entelechy"). "Actuality" comes from Latin actualitas and is a traditional translation, but its normal meaning in Latin is "anything which is currently happening".

It is a representation of what we think of reality, it is not reality and it never will be reality.  It is a concept of gaining knowledge.  Science is subject to minds workings and not through mind of man can we change the ALL, which is unknowable.  Mathematics and Science offers a framework and even in the symbol for science we find at it's center the hexagram.  It is a manner to gain certainty through facts and calculable figures.


If science is taken as is, as Absolute, it becomes scientism.  In the latin word potentia the influence of political power of the Empire appears.  In actuality it is a discipline, an authorized order, which I already covered in the Evocation of the Maestro Virtuoso, to validate the authority of a doctor.

Quod est inferius est sicut quod est superius, 

et quod est superius est sicut quod est inferius, 

ad perpetranda miracula rei unius

Another thought I can be acquited from

artĭo poēta sūrculus

ABOVE AS BELOW ARE IN UNION

Van 1 2 en 3

wiskunde zn. ‘mathematica’
Vnnl. Wiskunde ‘mathematica’ in een gheslacht der Overnatuurkunde, der Natuurkunde, der Wiskunde (in de marge “Metaphysica. Physica. Mathesis.”) [1657; Clauberg].
Geleerde samenstelling van → wis ‘zeker’ en → -kunde ‘wetenschap’

wis bn. ‘zeker, stellig’
kunde zn. ‘bekwaamheid’, kunnen ww. ‘in staat zijn’

Wiskunde is de taal van de zekerheid, met wiskunde zijn we in staat aan te tonen wat zeker is.



The basics of math

Math is the capability to be sure and the language to be sure

If you break down math into its basic building blocks it is just 1-2-3
0 is a provider of empty position in the algebra

the numbers themselves and where or how they appeared,
never explained and even rarely understood by mathematicians,

So

1 appears out of nothing

1 wants to know 1 and forms another 1 now there are 2

2 creates 3 through the unison of 1 with 2

3 is in existence


That's it!

From this everything comes forth in the mathematical language


1 2 and 3 create the smallest thoughtform the triangle from there everything else emerges

4 the cornerstones of existence (3 and 1)

5 the apparition of the principle of Knowing Existence, Defining of what it is (3 and 2)

6 The unison of division of the opposites (3 and 3)

which leads to 7 the divider and ruler and the law (6 and 1)

7 (6 and 2) leads to 8 which is unison with eternal external 8 and the interiour eternal internal which are seperated, like the two sides of the same coin

9 is the disolver because every number disolves in it

by addition of the digits of a number every number can be brought back to
1 2 3 4 5 6 7 8 9


which are all an appearance of 1 which came out of nothing,

it is thought up.

Free from the Locus of Causality

locus (n.) (plural loci), 1715, "locality," from Latin locus "a place, spot, position," from Old Latin stlocus, literally "where something is placed," from PIE root *st(h)el- "to cause to stand, to place." Used by Latin writers for Greek topos. Mathematical sense by 1750.
causa (by Cicero, and also a little after him, caussa , Quint. 1, 7, 20; so Fast. Praenest. pp. 321, 322; Inscr. Orell. 3681; 4077; 4698 al.; in Mon. Ancyr. 3, 1 dub.), ae, f. perh. root cav- of caveo, prop. that which is defended or protected; cf. cura,

Locust Swarm

swarm (n.) "cloud of bees or other insects," Old English swearm "swarm, multitude," from Proto-Germanic *swarmaz (cognates: Old Saxon, Middle Low German swarm, Danish sværm "a swarm," Swedish svärm, Middle Dutch swerm, Old High German swaram, German Schwarm "swarm;" Old Norse svarmr "tumult"), by Watkins, etc., derived from PIE imitative root *swer- (2) "to buzz, whisper" (see susurration) on notion of humming sound, and thus probably originally of bees. But OED suggests possible connection with base of swerve and ground sense of "agitated, confused, or deflected motion." General sense "large, dense throng" is from early 15c. swarm (v.1) "to climb (a tree, pole, etc.) by clasping with the arms and legs alternately, to shin," 1540s, of uncertain origin. "Perh. orig. a sailor's word borrowed from the Continent, but no trace of the meaning has been discovered for phonetically corresponding words" [OED]. perhaps originally a sailors' word, of uncertain origin. Also recorded as swarve (16c.) and in Northern dialects swarble, swarmle. Related:

Swarmed; swarming.

swerve (v.) c. 1200, "to depart, go make off; turn away or aside;" c. 1300, "to turn aside, deviate from a straight course;" in form from Old English sweorfan "to rub, scour, file away, grind away," but sense development is difficult to trace. The Old English word is from Proto-Germanic *swerb- (cf Old Norse sverfa "to scour, file," Old Saxon swebran "to wipe off"), from PIE root *swerbh- "to turn; wipe off." Cognate words in other Germanic languages (cognates: Old Frisian swerva "to creep," Middle Dutch swerven "to rove, roam, stray") suggests the sense of "go off, turn aside" might have existed in Old English, though unrecorded. Related: Swerved; swerving.

Locusta (or Lucusta)
was notorious in Ancient Rome for her skill in concocting poisons.

divide (v.)   early 14c., from Latin dividere "to force apart, cleave, distribute,"

from dis- "apart" (see dis-)

 + -videre "to separate," 

from PIE root *weidh- "to separate" (see widow; also see with).
Mathematical sense is from early 15c. Divide and rule (c. 1600) translates Latin divide et impera, a maxim of Machiavelli. Related: Divided; dividing.

discord (n.) early 13c., descorde, "unfriendly feeling, ill will;" also "dissention, strife," from Old French descorde (12c.) "disagreement," from Latin discordia, from discors (genitive discordis) "disagreeing, disagreement"

from dis- "apart" (see dis-)
+ cor (genitive cordis) "heart"

from PIE root *kerd- "heart" (see heart). Musical sense is late 14c.

core (n.) late 14c., probably from Old French coeur "core of fruit, heart of lettuce," literally "heart," from Latin cor "heart," from PIE root *kerd- (1) "heart" (see heart (n.)). Nuclear reactor sense is from 1949.

APIS BULL

KY-BA-LI-ON

THE LIPS OF WISDOM ARE CLOSED, 

EXCEPT TO THE EARS OF UNDERSTANDING.

Where fall the footsteps of the Master, the ears of those ready for his Teaching open wide.  When the ears of the student are ready to hear, then cometh the lips to fill them with Wisdom.

Under, and back of, the Universe of Time, Space and Change, is ever to be found The Substantial Reality--the Fundamental  Truth.

THAT which is the Fundamental Truth--the Substantial Reality--is beyond true naming, but the Wise Men call it THE ALL.

In its Essence, THE ALL is UNKNOWABLE.  But, the report of Reason must be hospitably received and treated with respect.  While All is in THE ALL, it is equally true that THE ALL is in ALL. To him who truly understands this truth hath come great knowledge.

The Infinite Mind of THE ALL is the womb of Universes.

THE ALL creates in its Infinite Mind countless Universes, which exist for aeons of Time--and yet, to THE ALL, the  creation, development, decline and death of a million Universes is as the time of the twinkling of an eye.

*

The Universe is Mental--held in the Mind of THE ALL.

As above, so below; as below, so above.

Nothing rests; everything moves; everything vibrates. 

Everything is Dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are  identical in nature, but different in degree; extremes meet; all truths are but half-truths; all paradoxes may be reconciled.

Everything flows, out and in; everything has its tides; all things rise and fall; the pendulum-swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates.

Every Cause has its Effect; every Effect has its Cause; everything happens according to Law; Chance is but a name for Law not recognized; there are many planes of causation,  but nothing escapes the Law.

Gender is in everything; everything has its Masculine and Feminine Principles; Gender manifests on all planes. Within the Father-Mother Mind, mortal children are at home.  There is not one who is Fatherless, nor Motherless in the Universe. 

*

The possession of Knowledge, unless accompanied by a manifestation and expression in Action, is like the hoarding of precious metals-a vain and foolish thing.  Knowledge, like wealth, is intended for Use. The Law of Use is Universal, and he who violates it suffers by reason of his conflict with natural forces.

To change your mood or mental state--change your vibration.

To destroy an undesirable rate of mental vibration, put into operation the principle of Polarity and concentrate upon the opposite pole to that which you desire to suppress. Kill out the undesirable by changing its polarity. 

Mind (as well as metals and elements) may be transmuted, from state to state; degree to degree; condition to condition; pole to pole; vibration to vibration.

Rhythm may be neutralized by an application of the Art of Polarization.

Nothing escapes the Principle of Cause and Effect, but there are many Planes of Causation, and one may use the laws of the higher to overcome the laws of the lower.

The wise ones serve on the higher, but rule on the lower. They obey the laws coming from above them, But on their own plane, and those below them they rule and give orders.  And, yet, in so doing, they form a part of the Principle, instead of opposing it. The wise man falls in with the Law, and by understanding its movements he operates it instead of being its blind slave. Just as does the skilled swimmer turn this way and that way, going and coming as he will, instead of being as the log which is carried here and there--so is the wise man as compared to the ordinary man--and yet both swimmer and log; wise man and fool, are subject to Law. He who understands this is well on the road to Mastery

Mastery consists not in abnormal dreams, visions and fantastic imaginings or living, but in using the higher forces against the lower--escaping the pains of the lower planes by vibrating on the higher.  Transmutation, not presumptuous denial, is the weapon of the Master.

The half-wise, recognizing the comparative unreality of the Universe, imagine that they may defy its Laws--such are vain and presumptuous fools, and they are broken against the rocks and torn asunder by the elements by reason of their folly. The truly wise, knowing the nature of the Universe, use Law against laws; the higher against the lower; and by the Art of Alchemy transmute that which is undesirable into that which is worthy, and thus triumph.

True Hermetic Transmutation is a Mental Art.

THE ALL IS MIND; The Universe is Mental.

FINIS.

The Kybalion: Hermetic Philosophy,

A Study of The Hermetic Philosophy of Ancient Egypt and Greece,

by Three Initiates

published by The Yogi Publication Society, 

Masonic Temple, Chicago, Illinois, USA, 

1912

TO HERMES TRISMEGISTUS
KNOWN BY THE ANCIENT EGYPTIANS AS
"THE GREAT GREAT" AND "MASTER OF MASTERS"
THIS LITTLE VOLUME OF HERMETIC TEACHING IS REVERENTLY DEDICATED

Free from Thought

Comment on UTB Lecturesbeyondbeyond - U.G Krishnamurti - Snap out of it!  - 2015 09 13

Thoughts are imposed on us. Thoughts create division with consiousness. Thoughts are a product of the I, Eye, Ego. "Thoughts are for achieving goals" (at 19min), so it creates pain and/or pleasure, responsable for misery.  Thought is necessary to feed the Ego, which is the producer of seperateness and misery.  So in fact, this discours is another philosophical approach to sacrifise the I-thought.

Sacrifice the Ego to enter a realm beyond thoughts, without words, without form, without body; only depth.   Thoughts conjures the superficial. The I-thought provides superficiality and thinking to elude from Consiousness.  The dissolving of the I-thought leads to emptiness, the great void, to the origin before thought and to the source, the creative Principal, THE ALL. True consiousness is not divided, while thought divides in duality, in forms and functions, in Morals and Dogmas.

After the sacrifice of the ego, only Presence and Awareness remain and the divine comedy unfolds, exactly as it should be, only the viewpoint changes. Not under the influence, up and down on the scales of polarity.  In the center one is able to measure and to rule.

Philosophy is to explain the unknown, Science describes the known.  That is why religion, philosophy, science, magic will not offer the key.  Societal structures and believes are constructed to continue the division in servants and rulers, interdepended.  

Yet, one could be liberated of these thoughtforms and reign over the entirety.  Once the I-thought is dissolved the hypnotic trance - the enchantment of Thoth - unravels and the path to Mastery unfolds.

"The light cannot be given to you, you have to stand tremendously alone.  That is what is frightening.  Because if you belong to anything, follow anybody, you are already entering into corruption.  If you understand that very deeply -  with tears in your eyes.  That there is no teacher, no guru, no disciple.  There is only You, a human being in this world."

"Enter through the narrow gate.  For wide is the gate and broad is the way that leads to destruction, and many enter through it. But small is the gate and narrow the way that leads to life, and only a few find it." (Ma'at 7:13-14)

THOTH
Tehuti
"the Measurer"