Ratio through Matter

The whole mathematics system is thought up, on what?
The language of what is knowable is the language of Ratio.

What is Ratio (source: wikipedia)?

In mathematics, a ratio is a relationship between two numbers indicating how many times the first number contains the second.  For example, if a bowl of fruit contains eight oranges and six lemons, then the ratio of oranges to lemons is eight to six (that is, 8:6, which is equivalent to the ratio 4:3). Thus, a ratio can be a fraction as opposed to a whole number. Also, in this example the ratio of lemons to oranges is 6:8 (or 3:4), and the ratio of oranges to the total amount of fruit is 8:14 (or 4:7).

The numbers compared in a ratio can be any quantities of a comparable kind, such as objects, persons, lengths, or spoonfuls. A ratio is written "a to b" or a:b, or sometimes expressed arithmetically as a quotient of the two. When the two quantities have the same units, as is often the case, their ratio is a dimensionless number. A rate is a quotient of variables having different units. But in many applications, the word ratio is often used instead for this more general notion as well.

A rate is the ratio between two related quantities. Often it is a rate of change. If the unit or quantity in respect of which something is changing is not specified, usually the rate is per unit time. However, a rate of change can be specified per unit time, or per unit of length or mass or another quantity. The most common type of rate is "per unit time", such as speed, heart rate and flux. Ratios that have a non-time denominator include exchange rates, literacy rates and electric flux.

In describing the units of a rate, the word "per" is used to separate the units of the two measurements used to calculate the rate (for example a heart rate is expressed "beats per minute"). A rate defined using two numbers of the same units (such as tax rates) or counts (such as literacy rate) will result in a dimensionless quantity, which can be expressed as a percentage (for example, the global literacy rate in 1998 was 80%) or fraction or as a multiple.

Often rate is a synonym of rhythm or frequency, a count per second (i.e., Hertz); e.g., radio frequencies or heart rate or sample rate.

We will not be talking of lemons and oranges, but Music.

Music = Ratio = Spirit

The Void Thought Sound

What we call and recognise as Music is a distilled representation of Beauty in Harmony and Unity.  It is an expression of the Soul in Matter.

It is recognised as music and not sound because it is organised and formed according to it's historical Growth, it is organised Unified Motion.  A temporal fleeting construction of Sound.  It is an expression.  It engenders Motion through vibrational frequency expressed in rhythm, pitch and volume.  It is a temporal apparition and a collective experience of Spirit.

Ratio in Music is Motion, a Movement which captivates the Spirit.

Prime .................. 1:1
Secunde .. 9:8
Terts .............. 5:4
Quart ................ 4:3
Quint................... 3:2
Sext ...... 5:3
Septime ..15:8
Octave ................. 1:2

The foundation of Mathematics appear.  1 2 and 3 have there Rational Basis in Vibration.  How vibration relates to vibration.

The Prime relates to itself and engenders with the Octave which comprises the seven and is the eight, the first naturale overtone.  The musical construction of harmony is to create tension and release in the vibrational frequency.

To create Music, the basic of the whole must be in Tune.   The instruments must be in the same pitch otherwise dissonance appears.  The tuning of the instruments is an agreement known as the Concert Pitch. 

The only pitch where the whole is sequence of Ratio has integer numbers is A=432 or C=512

Prime ......... 1:1   - 432hz
Secunde ....... 9:8   - 486hz
Terts ......... 5:4   - 540hz
Quart ......... 4:3   - 576hz
Quint.......... 3:2   - 648hz
Sext .......... 5:3   - 720hz
Septime ...... 15:8   - 810hz
Octave ........ 1:2   - 864hz


The note sequence is the construction of musical harmony in the Diatonic Scale, which has it's origin in History.

The diatonic scale is the combination of two Tetrachords starting with C - do

c - d - e - f  / g - a - b - c

The sequence of the scale is based on two chords, cords, accord, accorder (to agree)

c - e - g - b

d - f - a - c'

The Ratio appears as an organisation of Sound

It has a basis in Matter, it is the Heart of Matter

The Ratio in Matter

the Movement of Spirit through Matter 

SHEI MASA FUM DEMA

Manifest of the Spirit

The Void Thought Sound

123

Dichter (Poet) - Dychotomy (Reason)


Tree-Treason

Drie-Bedriegen

Light - Lied - EnLied enment
Licht - Oplichten - Verlichten

Human - Lumen
Life - Lies
French Fries

Lucid Luci Fer
Alumni

Iron clad
Chackeled
Imprismed Light

 Light vs. Dark

Dychotomic Deception

Darkness is on the face of the deep

Everything is Tree from seed to fruit
Thought up is Three as Truce to be
The deception of the light
A false shadow appeared which veiled the percepetion of the Tree

We are the Guardener of the Tree
decieved by the Keepers of to Bee
to produce some Honey
in a Bittersweet Symphony
Intoxicating Illusion
Forced Perspective of Reality


1 being
2 mind
3 all the rest: subject to decay

Void

Thought

Sound

The Song of Life = Pure Poetry

lied zn. ‘gezongen gedicht’
Mnl. lijt ‘gezongen gedicht’ [1240; Bern.], int liet ‘in het lied’ [1260-80; CG II].
Os. lioth; ohd. liod (nhd. Lied); oe. lēoþ; on. ljóð (nno. ljod); got. *-liuþ in awiliuþ ‘dankbetuiging’; < pgm. *leuþa- ‘lied, lofzang’. Hierbij ook het werkwoord *leuþōn- ‘zingen, lofzingen’, waaruit: ohd. liudōn; oe. lēoðian; on. ljóða; got. liuþōn.

sing (v.)Old English singan "to chant, sing, celebrate, or tell in song," also used of birds (class III strong verb; past tense sang, past participle sungen), from Proto-Germanic *sengwan (cognates: Old Saxon singan, Old Frisian sionga, Middle Dutch singhen, Dutch zingen, Old High German singan, German singen, Gothic siggwan, Old Norse syngva, Swedish sjunga), from PIE root *sengwh- "to sing, make an incantation."

Void
Thought
Sound

Rhythm
Pitch
Volume


Proton
Neutron
Electron

Curve
Line
Angle

current
resistance
flow

It might seem a Big Bang, but only to those who don't care to listen, an awful racket for those who are not in Tune and don't comprehend the Beauty of this delicate composition.  Who have ears but don't hear, who have eyes but clearly don't see.  They only percieve as they learned, how the are ought and thought to see in accepted servitude, through mimicry.

The elegance of the Tree vs. The corruption of Three

The dychotomic state in which men percieve what is, a Being Detachted with an Objective doesn't hear the subtle Tune which weaves through and forth the Entirety.

Imposed lies don't change the Tree

Three <> Tree

I sit beside the fire and think of all that I have seen,
of meadow-flowers and butterflies in summers that have been;
Of yellow leaves and gossamer in autumns that there were,
with morning mist and silver sun and wind upon my hair.
I sit beside the fire and think of how the world will be
when winter comes without a spring that I shall ever see.

For still there are so many things that I have never seen:
in every wood in every spring there is a different green.
I sit beside the fire and think of people long ago,
and people who will see a world that I shall never know.
But all the while I sit and think of times there were before,
I listen for returning feet and voices at the door.

~J.R.R.Tolkien

And so it's there my homage's due
Clutched by the still of the night
And now I feel you move
Every breath is full
So it's there my homage's due
Clutched by the still of the night
Even the distance feels so near
All for the love of you.

Al meer dan voldoende

Drie is en blijft
gegrond.
Ik en Jij -
soms wij als jij en ik.

Jij en ik,
al meer dan voldoende
In jou heb ik al het meer

Eenzelf in Tweespraak
onbewust
de diepte in

Divide and Conquer

Zie ook:  Van 1 2 en 3
Reprise
All mathematica can be brought down to 1 2 and 3. The smallest thoughtform is the triangle.

Dychotomy the partition of the whole into parts

1 is mathematic in potentia, or in dunamis in the language of Aristotle.  

It bears all the potentiality of mathematics as a tree is present in the seed.

The concept of 1 is thought up, it is invented, it is man-made, it is creative energy. It is a cognitive representation, it is not an sich.  It has no material ground.

Potentia is a translation of δύναμις, but the words in itself have another root, charge and value.  So even at the potens, the source of the philosophical and symbolical meaning there is a different appreciation of what is to be thought of 1

potentia ae, f
potens, might, force, power : armorum tenendorum, L.: solis Acrior, V.: morbi, O.: occulti miranda fati, Iu.: Nate, mea magna potentia solus, i. e. source of my power , V.— Efficacy, virtue : herbarum, O.—Fig., political power, authority, sway, influence, eminence : Pompei formidulosa, S.: summae potentiae adulescens, Cs.: erant in magnā potentiā, in great authority : singularis, monarchical , N.: rerum, sovereignty , O.: contra periculosas hominum potentias.

δύναμις from δύναμαι
I.power, might, strength, Hom.: then, generally, strength, power, ability to do a thing, id=Hom.; παρὰ δύναμιν beyond one's strength, Thuc.; ὑπὲρ δ. Dem.; κατὰ δ. as far as lies in one, Lat. pro virili, Hdt.
2.power, might, authority, Aesch., etc.
3.a force for war, forces, Xen.
4.a quantity, Lat. vis, χρημάτων δ. Hdt., etc.
II.a power, faculty, capacity, αἱ τοῦ σώματος δυνάμεις Plat., etc.; also of plants, etc.,
III.the force or meaning of a word, Plat., etc.
2.the worth or value of money, Thuc.

All science is in actuality, a human endevour as to concieve the world and to gain understanding of the universe.  So as all things in life which are thought up, so is science thought up.

Actuality is often used to translate both energeia (ενέργεια) and entelecheia (ἐντελέχεια) (sometimes rendered in English as "entelechy"). "Actuality" comes from Latin actualitas and is a traditional translation, but its normal meaning in Latin is "anything which is currently happening".

It is a representation of what we think of reality, it is not reality and it never will be reality.  It is a concept of gaining knowledge.  Science is subject to minds workings and not through mind of man can we change the ALL, which is unknowable.  Mathematics and Science offers a framework and even in the symbol for science we find at it's center the hexagram.  It is a manner to gain certainty through facts and calculable figures.


If science is taken as is, as Absolute, it becomes scientism.  In the latin word potentia the influence of political power of the Empire appears.  In actuality it is a discipline, an authorized order, which I already covered in the Evocation of the Maestro Virtuoso, to validate the authority of a doctor.

Quod est inferius est sicut quod est superius, 

et quod est superius est sicut quod est inferius, 

ad perpetranda miracula rei unius

Another thought I can be acquited from

artĭo poēta sūrculus

ABOVE AS BELOW ARE IN UNION

Van 1 2 en 3

wiskunde zn. ‘mathematica’
Vnnl. Wiskunde ‘mathematica’ in een gheslacht der Overnatuurkunde, der Natuurkunde, der Wiskunde (in de marge “Metaphysica. Physica. Mathesis.”) [1657; Clauberg].
Geleerde samenstelling van → wis ‘zeker’ en → -kunde ‘wetenschap’

wis bn. ‘zeker, stellig’
kunde zn. ‘bekwaamheid’, kunnen ww. ‘in staat zijn’

Wiskunde is de taal van de zekerheid, met wiskunde zijn we in staat aan te tonen wat zeker is.



The basics of math

Math is the capability to be sure and the language to be sure

If you break down math into its basic building blocks it is just 1-2-3
0 is a provider of empty position in the algebra

the numbers themselves and where or how they appeared,
never explained and even rarely understood by mathematicians,

So

1 appears out of nothing

1 wants to know 1 and forms another 1 now there are 2

2 creates 3 through the unison of 1 with 2

3 is in existence


That's it!

From this everything comes forth in the mathematical language


1 2 and 3 create the smallest thoughtform the triangle from there everything else emerges

4 the cornerstones of existence (3 and 1)

5 the apparition of the principle of Knowing Existence, Defining of what it is (3 and 2)

6 The unison of division of the opposites (3 and 3)

which leads to 7 the divider and ruler and the law (6 and 1)

7 (6 and 2) leads to 8 which is unison with eternal external 8 and the interiour eternal internal which are seperated, like the two sides of the same coin

9 is the disolver because every number disolves in it

by addition of the digits of a number every number can be brought back to
1 2 3 4 5 6 7 8 9


which are all an appearance of 1 which came out of nothing,

it is thought up.

Free from the Locus of Causality

locus (n.) (plural loci), 1715, "locality," from Latin locus "a place, spot, position," from Old Latin stlocus, literally "where something is placed," from PIE root *st(h)el- "to cause to stand, to place." Used by Latin writers for Greek topos. Mathematical sense by 1750.
causa (by Cicero, and also a little after him, caussa , Quint. 1, 7, 20; so Fast. Praenest. pp. 321, 322; Inscr. Orell. 3681; 4077; 4698 al.; in Mon. Ancyr. 3, 1 dub.), ae, f. perh. root cav- of caveo, prop. that which is defended or protected; cf. cura,

Locust Swarm

swarm (n.) "cloud of bees or other insects," Old English swearm "swarm, multitude," from Proto-Germanic *swarmaz (cognates: Old Saxon, Middle Low German swarm, Danish sværm "a swarm," Swedish svärm, Middle Dutch swerm, Old High German swaram, German Schwarm "swarm;" Old Norse svarmr "tumult"), by Watkins, etc., derived from PIE imitative root *swer- (2) "to buzz, whisper" (see susurration) on notion of humming sound, and thus probably originally of bees. But OED suggests possible connection with base of swerve and ground sense of "agitated, confused, or deflected motion." General sense "large, dense throng" is from early 15c. swarm (v.1) "to climb (a tree, pole, etc.) by clasping with the arms and legs alternately, to shin," 1540s, of uncertain origin. "Perh. orig. a sailor's word borrowed from the Continent, but no trace of the meaning has been discovered for phonetically corresponding words" [OED]. perhaps originally a sailors' word, of uncertain origin. Also recorded as swarve (16c.) and in Northern dialects swarble, swarmle. Related:

Swarmed; swarming.

swerve (v.) c. 1200, "to depart, go make off; turn away or aside;" c. 1300, "to turn aside, deviate from a straight course;" in form from Old English sweorfan "to rub, scour, file away, grind away," but sense development is difficult to trace. The Old English word is from Proto-Germanic *swerb- (cf Old Norse sverfa "to scour, file," Old Saxon swebran "to wipe off"), from PIE root *swerbh- "to turn; wipe off." Cognate words in other Germanic languages (cognates: Old Frisian swerva "to creep," Middle Dutch swerven "to rove, roam, stray") suggests the sense of "go off, turn aside" might have existed in Old English, though unrecorded. Related: Swerved; swerving.

Locusta (or Lucusta)
was notorious in Ancient Rome for her skill in concocting poisons.

divide (v.)   early 14c., from Latin dividere "to force apart, cleave, distribute,"

from dis- "apart" (see dis-)

 + -videre "to separate," 

from PIE root *weidh- "to separate" (see widow; also see with).
Mathematical sense is from early 15c. Divide and rule (c. 1600) translates Latin divide et impera, a maxim of Machiavelli. Related: Divided; dividing.

discord (n.) early 13c., descorde, "unfriendly feeling, ill will;" also "dissention, strife," from Old French descorde (12c.) "disagreement," from Latin discordia, from discors (genitive discordis) "disagreeing, disagreement"

from dis- "apart" (see dis-)
+ cor (genitive cordis) "heart"

from PIE root *kerd- "heart" (see heart). Musical sense is late 14c.

core (n.) late 14c., probably from Old French coeur "core of fruit, heart of lettuce," literally "heart," from Latin cor "heart," from PIE root *kerd- (1) "heart" (see heart (n.)). Nuclear reactor sense is from 1949.

APIS BULL